Three Types of Sonnets
| 
Petrarchan (Italian) | 
Shakespearean (English) | 
Spenserian (English) | |
| 
14 lines 
Iambic pentameter | 
14 lines 
Iambic pentameter | 
14 lines 
Iambic pentameter | |
| 
Octave/Sestet | 
Yes | 
No | 
No | 
| 
Quatrain/Couplet | 
No | 
Yes | 
Yes | 
| 
Content | 
* Octave presents a narrative,
  states a proposition, or raises a question;  
* The sestet drives home
  the narrative by applying the proposition, or solving the problem. 
* Usually about a woman. 
*Theme of love as transcendant.
  Highly exaggerated.  | 
* Shakespeare sometimes
  used the sonnet form to satirize the hyperbolic nature of the Petrarchan
  sonnet, ie Sonnet 130 
* By far the most prolific
  and successful writer of English sonnets, the English sonnet form is
  therefore named after him | 
* Spenser complicates the
  Shakespearean form by extending the number of rhymed endings.  
* The couplet in the English
  sonnet form often concludes the topic of the sonnet 
* Spenser wrote series of
  sonnets on a single topic: ie  Amoretti
  and Epithalamion | 
| 
Rhyme Scheme | 
abbaabba + (cdecde)
   
or
  (cdcdcd)  
or (cdedce) | 
abab cdcd efef gg | 
abab bcbc cdcd ee | 
·        
Keep in mind that some sonnets
may have aspects of one or more kinds of sonnets
·        
Think about how the format
changes the meaning of the poem, especially when you can compare one sonnet to
another.
 
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